However, this encounter has always catalyzed something that the game calls a Drive - a motivation to hunt monsters despite all dangers. The Hunters in Hunter: The Reckoning are, first and foremost, individuals who have their personal stories of how they came into contact with the mysteries and horrors of the World of Darkness. While many themes and concepts fit with the old Hunter: The Reckoning, some aspects are also entirely different. Just with Vampire V5, Hunter H5 has been given a new focus. As with Vampire, Hunter is a role-playing game that has been heavily adapted for the 5th edition (which is actually the 2nd Edition for Hunter). The second role-playing game set in the 5th edition of the World of Darkness is, somewhat surprisingly, Hunter, which was not part of the five core systems in the original World of Darkness. Unfortunately, because these organizations get lost in their own goals and are more interested in their own influence than in fighting the monsters, the Hunters are suspicious of them. In fact, several large organizations - from the ecclesiastical Society of Leopold to the secret knowledge-gathering Arcanum to government organizations like the FBI's Special Affairs Division - also define themselves as hunters (although without the capital H). But these Hunters are not the only people who know about and hunt the monsters of the world of darkness. These people become Hunters with a capital H. But for a few, their encounter with the supernatural world ignites an urge to stop being the prey of vampires, werewolves, and other horrors and take the fight to the creatures of darkness. Many do not survive this first contact with the monsters others despair or suppress the truth. But some people stumble into the truth - they see the monsters behind the scenes, notice the influence of dark forces, and realize the threat around them. The World of Darkness is a dangerous world full of monsters, conspiracies and threats that most humanity does not even suspect. 4 A dangerous World of Darkness for humans - a Mephisto review.
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